Showing 48 items matching valerie black
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Rutherglen Historical Society
Image, Marguerite Photos, Wed at Corowa, 1950s
... valerie black.... Announcement of the wedding of Ian Quihampton and Valerie Black at St... Quihampton and Valerie Black at St Andrew's Presbyterian Church ...Part of a collection relating to the Parkin family. Announcement of the wedding of Ian Quihampton and Valerie Black at St Andrew's Presbyterian Church, Corowa. Probably from the Corowa Free Press. Exact date unknown.Newspaper clipping of wedding announcement with photo of the wedding couple.wedding photographs, ian quihampton, valerie black, valerie quihampton, corowa -
Port Melbourne Historical & Preservation Society
Photograph - Buildings in Cruikshank Street, Port Melbourne, May 2009
... Transport Cricketers Arms Hotel Valerie Lawson Black Family Congues ...Twenty three (23) colour images in a Picasa slideshow of houses in Cruikshank Street, Port Melbourne. Houses pictured Numbers 10, 16, 18, 20, 30, 32, 34, 35, 36, 45, 56, 64, 68, 91, 93, 95 Also Cricketers Arms Hotel and old stables Knight's Transport Yard.families, business and traders - hotels, built environment - domestic, cruikshank street, knight's transport, cricketers arms hotel, valerie lawson, black family, congues family, leo congues, olly congues, carroll family, albert 'tich' mowlam, pat frisby nee mowlam, elva mason nee mowlam, jack holdens, lila holdens, john holdens, stan holdens, barbara holdens, william (bill) hegarty, alice hegarty nee mott, barbara gardiner nee hegarty, marlene mcpherson nee hegarty, moya horton, ameers taylor, 'toot' taylor, margie taylor, graham taylor, carmel mowlam nee congues, norah carroll -
Ringwood and District Historical Society
Photograph, Ringwood State School -Class photograph - Grade 6, 1951
Black and white photograph - Grade 6, 1951"Attached to photograph" Back Row- L to R: Rex ?, Alan ?, Cliff Jones, Geoff Mathews, Robyn Pratt, ?, ?, Robert Clarke, Don ?, David Crouch, Don McKie, Malcolm Powell. 2nd Row - L to R: Valda Peterson, Glenys Bouvard, Les Lloyd, Les Fordham, Robert Pryor, Alan Hampson, Les Hager, George Patterson, Ron Hager, Joyce Williams, Annette DeClifford. 3rd Row - L to R: Helen Ingram, ? Jenkins, Valerie Weist, Margaret Mc Dermott, Ellen Mead, Nancy Dyson, ?, Judith Huxley, ? Goodwin, Beverley Wigley. 4th Row - L to R: Fay Staphensen, Glenys Sanders, Lynette Rackham, Margaret Davidson, Joan Chiltern, Louise Ritch, Janice Shepherd, Kay Decini, Jeennifer Stirrup, Roberta Burns, Lynette Koefod, Betty Sumner. Front Row - Don Jones, ?, ?, ?, Graeme Sanders, Keith taylor, ?, Robert Foster. Teacher: Mr Davis -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 4A, 1960
Black and white photograph - Grade 4A,1960"Attached to photograph" Back Row- L to R: ?, Robert Rutherford, Billy Harding, ?, Alistair Wardle, ?, Ian Cannan, ?, ?, Jan Patusek, John Arnott, ?, ?, Charles Rechnitzer. 2nd Row- L to R: Sandra White, ?, Jennifer Norman, Judy Wigley, Leonie Haygarth, Lynette Evans, Sue Lewis, Georgina Brooks, Valerie Roberts, Diane Fitzgerald, ?, Kathy Parker. 3rd Row- L to R: ?, Valerie Harrison, Jeanette Bryant, ?, Leta Poulianakis, ?, Heather Parker, Carolyn Buchan, Joan Logan, Margaret Bronner, Jennifer McDonald, ?. Front Row- L to R: Keith Foot, ?, Malcolm Grant, Rodney Barber, John Popham, Lawrence Nairn, ?, Con Poulianakis, ?, Colin Jones, Michael Lawrence, ?. Teacher: -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 5C, 1961
Black and white photograph"Attached to photograph" Back Row- L to R: Vincent Powell, John Arnett, Christian Kramer, Stephen Lavender, Greg Paine, Stephen Dawe, Charlie Rechnitzer, Rodney Barber, David Webb. 2nd Row- L to R: Kevin McCullough, Andrew Glavimans, Geoff Sjogren, Peter Jenkins, Peter Anderson, John Gadsden, Darryl McDonald, Perry Kaigan, Michael Jackson, Bruce Taylor. 3rd Row- L to R: Mr Delacca, Valerie Robinson, Stephanie Iwanowicz, Robyn Whitchurch, Jimmy Morgan, Jim(Bill) Noble, Sue Lewis, Wendy Long, Rae Moller, Georgina Brooks. Front Row- L to R: Valerie Harrison, Stephanie Tann, Glenda Mayers, Kaye Spencer, Carol Patten, Jeanette Hewlitt, Sandra Thomas, Belinda Clarke, Helen Marr, Robyn Dickson. Teacher: Mr Delacca -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 5, 1947
Black and white photograph - Grade 5, 1947."Attached to photograph" Back Row - L to R: Graeme Rattray, Paul Divola, Brian Simpson, John Caird. 2nd Row - L to R: Norman Wright, Brian Pump, Russell Read, Bill France, Phillip Collins, Peter Wigley. 3rd Row - L to R: Nola Scurry, Lorres Hill, Valerie Gordon, Yvonne Goodwin, Linley Clark, Lois Stevenson, ?, ?, Jennifer Parker, Chris Patterson, ?. 4th Row - L to R: (?) Georgie, Evelyn Willis, ?, Marion Medhurst, ?, ?, Elain Mathews, Valerie Everett, Dawn McAlpine, ?, ?. Front Row - L to R: Noel Deed, Ron Frazer, Brian Mallet, Vernon Lee, Ted Polkinghorne, John Wigley, Keith Thompson. Teacher: Added Sc0024 photo to "Media" and deleted VC entry 2157 on 14th June 2022. Sc0024 now with this Entry. -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 5B, 1962
Black and white photograph - Grade 5B, 1962"Attached to photograph" Back Row- L to R: ?, ?, ?, ?, Bill Reid, ?, ?, ?, ?, ?, ?. 2nd Row- L to R: ?, ?, Jeanette Goodchild, ?, Karen Bibby, Gabriella Iwenowicz, Valerie Robinson, Susan Jamieson, ?, Lorraine Bowring. 3rd Row- L to R: Ian Anderson, Maureen Bosaid, Robyn Myles, ?, ?, ?, ?, Dawn Bracken, ?, Jennifer Elliot, Susan Deuter, ?, ?. Front Row- L to R: No names. Teacher: -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Val Mason, 5 January 2001
Mrs. Valerie (Val) Mason (1927-2019) was a local sheep farmer, business-woman, Beechworth shire councillor, and mother to five children. With her husband, Charles, Mrs. Mason developed and managed the Big Valley farm estate, at Everton, which is now part of a vineyard and farm stay. Mrs. Mason was instrumental in introducing a 'paddock to plate' philosophy and business model, opening a butcher shop on the farm in 1973. Concerned with improving infrastructure and developing economic opportunities in the region, Mrs. Mason successfully stood as a local council representative for South Riding in the United Shire of Beechworth, and later become the first woman Shire President in 1979. Mrs Mason was a member of the local Business and Professional Women's Club for 37 years. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: 'Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mrs. Mason's story is historically significant for understanding economic and social changes in the Beechworth region during the latter half of the twentieth century. As a council representative, issues such as road and infrastructure modernisation and the transition from traditional government employment sectors, like Beechworth's care institutions, were challenges for local government. As a farmer and local employer, Mrs. Mason's story is testimony to the region's economic diversification as businesses like Big Valley farm shop helped shape the region's contemporary character. Mrs. Mason was among the first women to broach the traditionally all-male Beechworth Council Chambers and her story is socially significant for understanding the changing role of women in rural and regional Australia. This oral history recording offers interpretive capacity for social history themes and may be compared with other oral histories in the Burke Museum's collection. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Val Mason /listen to what they say, beechworth, oral history, burke museum, working women, trail blazers, farm to plate, farm shop, paddock to plate, woman farmer, united shire of beechworth, rural and regional women, beechworth's first woman shire president, women in leadership positions, women leaders, australian settlement history, settler societies, victorian gold rush, heritage tourism, culinary tourism, regional land use, indigo winery, farm stay, social history -
Warrnambool and District Historical Society Inc.
Document, Australian Comfort Fund Mrs Steward, C1946
The Australian Comforts Fund was formed during the first World War and was an amalgamation of various organisations which were sending items of comfort such as toiletries, clothing and food to Australian troops who were fighting overseas. It ceased its work and was dissolved in 1920 at the ceasation of the war but was started again to continue the same work in 1939.In Australia it rivalled the work of the red Cross and many of the volunteers involved were women. As well as making and providing items themselves there was major fundraising to purchase further items. Over the course of the war they provided over 1.5 million hampers. This certificate was presented to Mrs Steward for valuable services rendered to the Australian Comforts Fund during World War 1939-1945. The Australian Comforts fund was wound up in June 1946.This certificate recognises the work of one of our residents to a fund which was Australia wide and would have been one of numerous certificates presented around the country. The Australian Comforts fund was an organisation with which numerous people would have been affiliated and which also assisted many soldiers over the years. Cream certificate with black text, highlighted with red. The name Mrs Steward has been written in in blue ink. In comes enclosed in a dark grey soft card folder.Mrs Steward. Signed Valerie Heinze, Lady mayoress of Melbourne. Thomas S Neu*tefold, Hermen W *ohn, On front of grey folder "Mrs Steward Warrnambool.warrnambool, warrnambool history, australian comforts fund, mrs steward warrnambool -
Williamstown High School
1946 Form 2C
Copy of a black and white photograph, laminated. We also have the original black and white photograph. It has been cut into three and re-stuck on card.Form 2C 1946 Don Jack, ?, Wally Gunn, ? Barry Walters, Bob Lane, Keith McDonald, Ron Willshire Graeme Stock, Ray Tresize, Bob Brent, Ray(/) Jamieson, George Picone, Roy McQuade, Charlie Williams, ? Elaine (?), Mavis Dunne, Eileen Bowes, Nola Strahehir, Valerie Maxwell, Norma Billington, Shirley Williams, Myra ?, Maureen Porter Alwynne Harris, Shirley Hall, Elaine ?, Netta McCallum, Shirley Carter, Norma Eden, Beth Crowder, Dawn Best, Marlene Edwards Stan Forbes, Don Orr, Alec Copeland Form Teacher: Mr Don McCullochwilliamstown high school, 1946, class photographs -
Stawell Historical Society Inc
Book, Valerie Ross, Over the Sea from Skye
Martin Family History: Forced Migration during Highland Clearances to the Colony of Victoria. One of the Descendants was in the Stawell Gift RacesSoft Cpver Bound Book. Black rear Cover Colour Photo of Skye with BoatsOver the Sea From Skye: John Martin & Annabella McNab, Valerie Ross, J.C. Talcode Pty Ltd -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Valerie Sloan, 1947
CRTS students "C" Course Nov 1947. Provenance T.H. Kneen. Appears to have been used for a display.Handwritten on reverse, "Valerie Sloane (sic)CRTS "C" Course Nov 1947." Faint stamp, "Australian Official Photograph…? Information."valerie sloane, crts, students, trainees, commonwealth reconstruction training scheme -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Ploughing in Cover Crop, 1949
Female student learning how to use plough and horse.On reverse, "Burnley Gardens. Sept 1949. Ploughing in Cover Crop. Geo. Manley (Stockman Assistant), Valerie Green (1st Year Student), Harold Marshall (Gardening Instructor-Orchard)."female student, plough, horse, burnley gardens, ploughing, geo. manley, valerie green, harold marshall, gardening instructor, orchard, student working outside, stockman -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Ploughing in Cover Crop, 1949
Identified by T.H. Kneen as, L to R George Manley (Stockman Assistant), Valerie Green (1st Year Student), Harold Marshall (Gardening Instructor- Orchard.)"2 Instructors and female student with horse and plough in the Orchard. Well trimmed hedge at far side of field. Draught horse pulling the plough. Houses of Hawthorn on hill in background.On reverse,"Burnley Gardens. Ploughing in Clover Crop-Sept. 1949."instructors, female student, horse, plough, orchard, burnley gardens, george manley, stockman assistant, valerie green, harold marshall, gardening instructor, students working outside -
Wangaratta Art Gallery
Textile, Valerie Kirk, Gum Leaf + Root
... and a singe root system handwoven in a colour palette of black, grey ...I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a gum leaf and a singe root system handwoven in a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Wangaratta Art Gallery
Textile, Valerie Kirk, Roots + Leaves
... and leaves handwoven using a colour palette of black, grey, and white ...I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of roots and leaves handwoven using a colour palette of black, grey, and white.valerie kirk, textile, tapestry -
Wangaratta Art Gallery
Textile, Valerie Kirk, Tree + Roots
... root system handwoven using a colour palette of black, grey ...I draw inspiration from the world around me and from particular aspects of life. Previously my work dealt with my experience as a Scottish migrant – looking back and forward, north and south, here and there, between two countries. This ‘in-between-ness’ of the migratory experience, while not unique to me or other Australians, contributes to my sense of being made up of many parts, a kind of fragmentation where certain components come into play at different times. There is an eternal mismatch or sense of being out of place in my world as I am recognized as Scottish in Australia when people hear me speak but in Scotland people comment on my Australian accent. In a wider sense Australia’s history and culture is made up of many examples of people and things brought together without a good likeness or fit. Woven tapestry allows me to combine my interests in textiles and visual art using the tactile qualities of materials in the highly complex woven form. It allows be to create realistic images, but change format, composition and placement to create images which invite the viewer to question. The intricate nature of multiple wefts twined between warps parallels the complexities of life and tapestry’s building /constructed process embodies the advancement of time.Wangaratta Art Gallery CollectionA small tapestry of a tree and its root system handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile -
Wangaratta Art Gallery
Textile, Valerie Kirk, Caught Fish, PANGASIANODON GIGAS, 2010
... of a caught fish handwoven using a colour palette of black, grey ...Caught Fish, PANGASIANODON GIGAS” is a miniature version of the larger tapestry described below and it embodies the same ideas: The giant Mekong Catfish is under threat of extinction due to over-fishing and loss of habitat. It is beleived that the fish used to reach sizes over 3 metres, but the largest recorded catch to date is 2.7 metres – a monster fish caught in Thailand in 2005. As its fame and the mythology surrounding it increases, so does the number of game fishermen keen to land a record catch or earn a sizeable amount of money in the exotic food marketplace. However, the water flow of the river is increasingly more controlled by China, changing the natural habitat of the river. It seems that survival of the great catfish is being left to chance and the fish’s ability to avoid nets, lines and traps in the murky green waters of the Mekong. My exhibition piece is a giant, woven Pangasianodon Gigas – made as a shaped tapestry which will hang the way a fisherman would hold up his catch to display or be photographed as his trophy. The drawing was made from photographs of very large fish I observed in Laos and the detail on the body of the fish is deliberately ambiguous scales/nets. The piece will be woven on cotton seine twine (which was originally made as a string for fish netting) with mixed weft yarns. Artist statement about the work: The final work is an abstraction of fish and nets – an image made with a hand drawn quality suggesting the personal observation that goes with looking and responding with ink on paper. The tapestry technique mimics the original marks to a certain degree but is also very obviously a woven form with its stepped edges and shapes, blending of tones through hachure and broad set of warp and weft.Wangaratta Art Gallery CollectionA small tapestry of a caught fish handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile, fish -
Ringwood and District Historical Society
Photograph - Group, Ringwood Technical School 1963 Form 1A, c 1963
This Form was part of the largest intake to date as Ringwood Technical School entered its fourth year at the Heathmont Road campus. The 269 Form 1 students in 12 groups, 1A to 1M, took the school’s population to nearly 700. Extensions to the 3 year old building commenced during the year to help accommodate the expected rising numbers of students.Black and White Photograph Names: Top row: Heather Gray, Stephanie Graham, Cheryl-Ann Mitchell. 2nd row: Elizabeth Dedman, Jennifer Gribble, Lynette Lindsay, Dianne Cahill, Sandra Aitcheson, Kaye Boyle, Kay Meloni, Doreece Bradshaw. 1st row: Fenna Paas, Georgia Thomson, Vicki Jenkins, Robyn Whitchurch, Lynette Allan, Suzanne Leverington, Linda Hickman, Gwenda Hall, Valerie Robinson. Photograph from Ringwood Technical School photo album labelled “Ringwood Technical School 1963-’64 Class Photos”. rts, ringwood tech -
Orbost & District Historical Society
gramophone record, circa 1929
John Donald Mackenzie Brownlee (7 January 1900 – 10 January 1969) was an Australian operatic baritone. For most of his professional career he was based in Europe and then United States. He married former Countess Donna Carla Oddone di Feletto in Paris on 29 November 1928, and the couple had a daughter and two sons. He died in New York and was buried in Ferncliff cemetery, Hartsdale. (ref. www.operafolks.com)The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880s through to the 1920s—by the late 1920s. Vinyl records were still the most popular medium even when new formats such as compact cassette were mass-marketed. By the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. This item is an example of the music popular in the the first decades of the 20th century.A black phonograph record - "His Master'sVoice". On the A side is Passing By (melody by Edward Purcell)) sung by John Brownlee, a baritone, accompanied by piano. On the B side is King Charles (music by Maude Valerie White) also sung by John Brownlee,E 483gramophone-record brownlee-john music -
Bendigo Military Museum
Photograph - Army Survey Regiment – CAPT Jack Cullen (Ret), Fortuna, Bendigo, c1978
This is a photograph of CAPT Jack Cullen (Ret) and an unidentified person besides the front steps of Fortuna Villa, Bendigo, c1978. Jack Cullen served for many years in the Royal Australian Survey Corps from 1920 to 1952, after active service with the AIF in WW1. His service at Fortuna began in 1944 when he was a Lieutenant in charge of a map compilation section. Jack Cullen’s service is covered in more detail with additional historic photographs, in Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4This is a photograph of CAPT Jack Cullen (Ret) and an unidentified person at the Army Survey Regiment, Fortuna, Bendigo, c1978. The photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. Photo, black & white, c1988: L to R: CAPT Jack Cullen (Ret), unidentified person‘Jack Cullen’ is annotated on back of the photoroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
Bendigo Military Museum
Memorabilia - Fortuna Pipes and Drums Request for Donation, PSJ Barker, Secretary Fortuna pipes and Drums, 06.08.1995
This is a document requesting a donation for the Fortuna Pipes and Drums for the update of some of their equipment. The members of the band are shown and named in the accompanying photo. Information about the Fortuna Pipes and Drums is also in Valerie Loyejoy's book " Mapmakers of Fortuna, A History of the Army Survey Regiment" ISBN 0-646-42120-4 and included in the Victorian Collection as item 6000. The Band was originally formed in 1993 from members of the local Masonic Lodge and first played for the Survey Corps Day Parade in 1994 after a request from the then RSM WO1 Phil Meagher. The Army was able to provide the original "Black Watch" tartan kilts. Using an original Survey Corps Badge c. 1915 provided by former WO1 Keith "Aki" Barber, a number of replica metal Survey Corps theodolite badges were struck and used along with the purple Survey Corps lanyard by the band. The Fortuna Pipes and Drums continued to actively support the Army Survey Regiment until its disbandment in 1996.A 4 x Page letter, A4 Pages, Typed document, PhotocopyAddressed to Mr Tony Spurling, Manager Technical Services, Army Svy Regt, Fortunaroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Bendigo Military Museum
Book - Mapmakers of Fortuna, a History of the Army Survey Regiment, Ex Fortuna Survey Association Inc, 2003
Covers the arrival of the Land Headquarters Cartographic Company at Fortuna Villa in 1942 until the disbandment of the Army Survey Regiment in 1996. Written by Valerie Lovejoy as part of her Masters degree at La Trobe University, BendigoUnit History of the Army Survey Regiment by Valerie Lovejoy, ISBN: 0-646-42120-4, 234 pages, 9 Chapters, 6 Appendices, Black and White photographs, Colored map extracts, Colored cover jacket, hard cover, nominal roll of Unit members.On first page, "Donated to Bendigo RSL Museum by Ex Fortuna Survey Association Inc 21 April 2022"royal australian survey corps, rasvy, army survey regiment, army svy regt, asr -
Port Melbourne Historical & Preservation Society
Photograph - Grade 3B, Nott Street State School, 1947
Black and white photo of the Grade 3B class of Nott St State School in 1947education - primary schools, keith moody, harold albreght, pat mcmaster, ian arrowsmith, wally tournau, john pattison, kevin croy, lois matheson, gwenda malloy, sid moon, valerie sisson, bob massey, laurie smith, nott street state school -
Port Melbourne Historical & Preservation Society
Photograph - Grade 4A, Nott Street State School, 1948
Black and white photo of the Grade 4A class of Nott St State School in 1948education - primary schools, ian brice, kevin croy, graeme kerr, pat mcmaster, peter letos, terry lewis, fred luke, lorraine (?) williams, bob sims, barry amy, coral stroud, nola johnson, lois matheson, valerie sisson, gwenda malloy, bill rowlands, laurie smith, barry stevens, nott street state school, sid moon -
Eltham District Historical Society Inc
Photograph, Montmorency State School Girls Marching Squad, ca 1955
Montomorency State School Girls Marching team were the marching champions of the Victorian State Schools for four years in a row 1955-1959. This photo is 1955 or 1956. There was also a separate boys marching team. Top row from left: Pat Turnbull, Nina Sislov, Una Robb, Kineare Buckton, Christine Anthony, Jill Stone, Helen Hedly, Verna Wright. Middle row from left: Ina Eiklemboom, Maureen Smith, Bonny Pimlott, Christine Brasnor, Jacqueline White, Beverly Fry, Pam Hudosn, Dianne Hickenbotham, Jeana Woods. Front Row from eft: Anne Wigley, Valerie Williams, Unknown, Wendy Dales, Claudetee Childs (Captain), Heather Murphy, LOrraine Abbot, Margot Storey and Marie WalshCopy of original black and white photographmontmorency state school, girls marching team, trophy -
Port Melbourne Historical & Preservation Society
Photograph - Grade 1C, Nott Street State School, 1945
Black and white photo of the Grade 1C class of Nott St State School in 1945education - primary schools, nott street state school, graeme downie, pat mcmaster, kevin croy, fred luke, tony bonnica, marie disher, gwenda malloy, lois matheson, valerie sisson, barry miller, laurie smith -
Melbourne Legacy
Photograph, Widows Club at Legacy House, 1980s
A group of ladies at art and craft classes at Legacy House. The lady in the top left corner is Valerie Rae. The other ladies are not known. Date is not known but possibly in the 1980s. Was donated with three other photos after Valerie Rae passed away. The note with the photos was dated 2014 and it said she died in 2009.A record of activities that Legacy provided for widows.Black and white photo of a group of widows at Legacy House with flowers.Handwritten on back in blue pen 'Melbourne Art and Craft', also typed in black on a small label 'Widows at Art and Craft Class'.widows, widows clubs, craft -
Melbourne Legacy
Photograph, Widows Club at Legacy House, 1980s
A group of ladies with cups of tea at Legacy House. The lady second from corner is Valerie Rae. The other ladies are not known. Date is not known but possibly in the 1980s. Was donated with three other photos after Valerie Rae passed away. The note with the photos was dated 2014 and it said she died in 2009.A record of activities that Legacy provided for widows.Black and white photo of a group of widows at Legacy House with cups of tea and food.Handwritten on back in blue pen 'Legacy House'.widows, widows clubs -
Whitehorse Historical Society Inc.
Photograph, Blackburn East Primary School, 1969
Black and white photograph of Grade 2B, Blackburn East Primary School, 1969. Teacher Valerie J. Marshall (nee McKenzie) on left. The names of the children in the grade are on the back of the photographblackburn east primary school no. 4800, marshall valerie j., primary schools